Sara Naim’s practice explores the fluid space between perception and construct. She’s interested in how perception is mediated by proximity, boundary, and polarity. Looking at polarity through nondualism, Naim describes boundary as points of connection— between nation and territory, skin and touch, representation and construct, pleasure and pain.

Employing a methodology that fuses forensic observation, performative gesture, and philosophical inquiry, she considers how rigid notions of separateness operate across individual, social, and national frameworks. Her media coexist: photographs are sculptural, sculptures are painterly, and paintings reference photography.